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After signing on the dotted line with Relapse in July 2000, the then trio swiftly set about piecing together what was to become their first masterpiece. Written and recorded using only an eight-track recorder in the confines of drummer Brian Harvey ’s basement, the results were breathtaking not only in their brutality, but also somehow in their beauty. Prowler In The Yard set a benchmark for all grindcore to follow, and one that has arguably never been topped since. There’s a lot that sets PIG DESTROYER apart from your average grindcore band, but most fans will be quick to point to the lyricism of vocalist J.R. While his work on the band’s previous records was nothing short of solid, it was Prowler In The Yard that truly saw him come into his own in this regard. In what is surely one of the only grindcore concept albums ever made, Hayes ’ lyrics tell a vivid and gripping story of love, sex, obsession and gore. For the most part, we appear to follow an unnamed protagonist in the week immediately after a break-up with ‘Jennifer.’ As the story progresses, we watch this protagonist spiral and spiral, with flashbacks to their relationship interspersing thoughts of solitude, violence, and self-harm. Eventually, it all comes to a devastating, stomach-churning conclusion that’s still not worth spoiling for the uninitiated even after all these years. Of course, lots of bands in extreme music explore grim and violent subject matter, but in Hayes ’ hands this never feels gratuitous. Not a single word is wasted, with engrossing stories often told in the space of just a few short sentences.
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Take, for example, the protagonist’s sinister contemplations on a track like Pornographic Memory : “An entire year of you in a single speck of blood/The gun smiles your smile and the razor whispers your name.” Or the lonely lament of Body Scout : “My skin has atrophied/It has been so long since the last touch/The maggots play their dead instruments for me.
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